On a seemingly regular weekday morning, the trio was on their traditional coffee run when their manager called to tell them that the show they’d announced at Los Angeles’ 22,000-person capacity Banc of California Stadium had sold out overnight, and that they’d added already added another show. This past April, during one of their morning rituals, the guys learned that their already-sharp ability to move tickets had leveled up. According to Billboard Boxscore, 25 shows the group played in 2018-19 grossed $3.35 million and sold 86,000 tickets. The group played the Coachella mainstage in 2019 and has also sold out marquee venues including Red Rocks, The Brooklyn Mirage, London’s Alexandra Palace and the Greek Theatre in Berkeley. In 2019, the trio played for more than 21,000 fans at a show at the Los Angeles State Historic Park, a prestige venue for electronic acts. This writing process was guided by discussions about what sounds would be especially epic in their live show, which has grown to epic proportions in the past few years as RÜFÜS has become a major live force. The ideas for Surrender culled in the desert were expanded and perfected in the guys’ Los Angeles studio, where they worked with producer Jason Evigan (Maroon 5, Dua Lipa, Jason Derulo). “It takes us a long time to write 11 songs because of that,” Hunt adds, “because if one of us doesn’t really connect with an idea, we’ll leave it there, and try another 11 until one that sticks.” “There’s no formula - we’re three very different people that have different tastes in music, so is kind of like where we end up,” says multi-instrumentalist Jon George.”It’s like the middle zone of the push/pull between all three of us in terms of what we like, what we’re comfortable doing and what we think is exciting or fresh. There’s not really a traditional drop anywhere in this music, with this sophistication helping make RÜFÜS one of the most successful live electronic acts to emerge out of the global scene, alongside peers like Bob Moses.īut while RÜFÜS has developed a signature sound, their work defies a rote, algorithmic feeling. The brooding, building jam comes from an 11-track album that both extends and evolves the signature sound RÜFÜS has cultivated over its four albums, with the music exuding a lushness, warmth and sonic sensuality that sort of washes over you, with big builds and crescendoes and dissipate with elegance. 14, making the trio’s seventh appearance on this chart and its highest ranking to date. Singles from the hotly anticipated LP began dropping this past July, with the third one, September’s “On My Knees,” debuting on Hot Dance/Electronic Songs at No. The fruits of this effort, beyond regulated sleep patterns and more time with their families, is Surrender - the followup to 2018’s Grammy-nominated Solace - released this past October 21 via RÜFÜS’ own Rose Avenue Records and Warner Records.
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In the past, we put music and the creative process first and put everything else on the side.”Īnd so, ten years into their career, RÜFÜS DU SOL has found the template for how to sustainably be rock stars. “There was a fear that that wasn’t going to be possible, because we we haven’t really done that. “I think the biggest thing for us is learning that we can make music without staying up to reckless hours and we can be creative and have successful ideas as a regimented, healthy group of friends,” says the group’s James Hunt. All the healthy habits cultivated during their respite came home with them as well. (where they moved from Sydney around 2015) they had a litany of ideas for the music that would become their latest album, Surrender. By the time the guys returned to their permanent residences in L.A. But as the pandemic cleared calendars, two weeks was extended to four and four ultimately became seven. The Joshua Tree reset retreat was supposed to last two weeks.
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Rüfüs Du Sol Heats up Late Night TV With ‘On My Knees’: Watch